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"In for a penny, in for a pound."
I've read a variety of mystery novels over the years, but never a cozy mystery. Which is strange because I generally prefer lighter, brighter stories to grim and gritty, and I'm not big on gore. And I love puns, and a lot of cozy mysteries have punny titles. I decided to try my first cozy mystery and chose English Tea Murder by Leslie Meier at random. It wasn't exactly what I was expecting from the genre (no punny title, for one thing) but to cut to the big reveal, I liked it.
I say "graphic books" because not all are novels, and the ones I am most often drawn to are the graphic nonfiction--bios, memoirs, history lessons. I am not an expert on graphic books; I do not have boxes of comic collections accumulated since childhood (though I do fondly remember reading some of my older brother's X-Men comics as a kid--intrigued by smart, strong females like Storm, Jubilee, Rogue); but perhaps because I approach graphic books from a more literary view, I can translate their value to those who might otherwise relegate "comics" to their not-to-be-read shelf.
One of the best things about working in a library is the regular opportunity to talk about books (and other media) with people. Often, I can provide a recommendation for something else to read or try in those conversations, but it isn’t always a one-way street. Sometimes, patrons put books on my radar that I overlooked, either because the cover or description didn’t grab me, or it’s just outside my usual genre preferences. One of these books was Simone St. James’s The Broken Girls.
British aristocracy has an interesting hold on many people around the world, the closer to the Royal Family and the more intense this interest and scrutiny becomes.
Lady Glenconner served as a maid of honor at the Coronation of Elizabeth II in 1953, and was Extra Lady-in-waiting to Queen Elizabeth II's sister, Princess Margaret, Countess of Snowdon, from 1971 until the Princess died in 2002.
In The Undefeated we have a lovely novella with a leisurely pace by Una McCormack. This space opera is an introspective reminiscent view of a sixty-year-old's life. The novella blends science fiction life on other planets, colonialism's rise and fall, and an eerie near-apocalyptic setting.
(I discuss the novel, but I have avoided spoilers as best as I can.)