Matt Wagner's comic Mage: The Hero Discovered, originally published from 1984 to 1986, is a personal work that also taps into universal stories and themes. The main character, Kevin Matchstick, is modeled on Wagner himself (in the sequel series, Mage: The Hero Defined, published 1997-1999, Kevin Matchstick's hairline has receded much like Wagner's has) and the depression he speaks of in the first issue is the frame of mind Wagner was in when he began the comic.
Logan is first and foremost another chapter in the X-Men comic book series of popcorn movies, but it is also one of the best Western films I've seen made in recent years. Unlike any of its predecessors, it has a quiet elegance about it. While there is still plenty of gripping action, it is filmed with great care and the cinematography is gorgeous. Much like a traditional Western, the film is also pretty gory (it contains the most violent sequences of any X-Men film to date).
The pursuit of a set purpose by logical means is the way of tyranny; this is the vision of my creator. Of Ultron.
The pursuit of an unobtainable purpose by absurd means is the way of freedom; this is my vision of the future. Of our future.
In Zeroes we were introduced to a group of teens with unusual, mostly subtle superpowers who find themselves in an increasing amount of trouble with both drug dealers and the police, using the very powers that got them into trouble in the first place to get them out again. I liked the novel a lot, so when I found out about the sequel, I was very excited.
This concept is absolutely genius and the execution is one of the funniest things I’ve ever read.
A few years ago, Ethan Nicolle was playing with his five-year-old brother Malachai and decided it would be fun to take Malachai’s imagined play and illustrate it as a superhero comic. It all started when Malachai took a toy police officer and added a firefighter’s axe. They grabbed another figure and the nearest weapon-like implement at hand—a recorder, which led to Axe Cop’s first partner, Flute Cop—and went to chop off the heads of dinosaurs and other sundry bad guys.
Deadpool finally gets his due. A far cry from his last portrayal in the dreadfully off-mark X-Men Origins: Wolverine, this Deadpool is the "Merc with a Mouth."
In general, I like my superhero stories epic and idealistic. The "fresh take on superheroes" idea is getting pretty worn out, and I've grown tired of people deconstructing superheroes and trying to apply the genre to "real life." But Zeroes pulls it off and really does seem fresh and original, even when relying on some standard clichés of both superhero and YA fiction.
The wild, unpredictable shapeshifter Nimona has just appointed herself sidekick to archvillain Lord Ballister Blackheart, promising to aid him in his quest to prove to the kingdom that the Institute of Law Enforcement and Heroics is up to no good. But NImona doesn't play by the normal rules, and she quickly has everyone in an uproar wondering just who she is and where her mysterious powers come from.
I love superhero comics, but I must confess, I don't like a lot of contemporary superhero comics. The trend has overwhelmingly become oriented towards grim and serious. There are some terrific, well done stories, full of high imagination and smart storytelling, but there's a distinct lack of whimsy and unabashed optimism.
Continuing the story of Celia West following the death of her superhero father and the retirement of the superheroes of her beloved city, Celia continues to look out for the best interests of her city and has carefully been watching the grandchildren of the superheroes waiting to see if there is a new generation of powerful superheroes in the making. Two of these new superheroes may be her own daughters Anna and Bethy but so far they aren't exhibiting any signs of superpowers or at least they're not sharing with her if they are developing powers.