While the protagonist, Victoria, is incredibly flawed in The Language of Flowers, it is unlikely you will ever feel anger towards her. Trapped in the uncaring hands of foster care her entire life, she is socially inept, volatile and completely mired in grief and rage.
Sea Swept is vintage Nora Roberts. Told from the male perspective, this is the first in The Chesapeake Bay series. Three adult brothers are called home by a dying father’s wish, and they must band together to take care of Ray Quinn’s youngest “lost boy.” The Quinn brothers are not bound by blood but are indisputably family. Each boy had been saved by Ray and Stella Quinn in their teens.
Victoria Jones has just aged out of the foster care system, and her case worker is transporting her to a transitional home. In alternating chapters, the reader watches Victoria make her way in the world while learning about her past. Whether looking forward or back, her past, present, and future are riveting.
Orphan Train is a story about two different people whose lives are connected in so many ways, yet they are separated in age by about 75 years.
The setting is San Francisco, current day. A wayward teen never adopted has maxed out on state help and is forced out into the world. As the story unfolds the back story of Victoria’s life is revealed, including the many mistakes she has made. She has a gift with flowers and shares that gift with others. The reader watches her develop and grow and yet continue to make mistakes. A frustrating read,
When Terry and Laura Sheldon lose their twin daughters in a flood, understandably, it takes them a few years to adjust to their seemingly empty life. Upon deciding to become foster parents they anxiously await the arrival of whom they envision to be a sweet, blonde-ringleted child who might resemble their own precious girls. They are charged, however, with Alfred, an introverted young black child who is as dismayed at his own presence in rural Vermont as the rural Vermontians are with him.