This intriguing and disturbing book tells the story of Suzette, Alex and their 7 year old daughter, Hannah, who has quite literally become a threat to their existence. Baby Teeth is told in alternating chapters between Suzette and Hannah and you quickly realize that not all is right with their world. Hannah is mute and nothing Suzette has done, including numerous schools and eventually homeschooling, has helped Hannah learn to talk.
As and initial suspense thriller from this author, The French Girl is pretty well done. It follows the typical plot points used by many others: there's been a murder and our main character can't remember exactly what happened. Or she thinks she might remember, but she is constantly questioning herself and her memories based on what other 'friends' tell her and say.
Esther is one of the Special Ones, four spiritual guides who provide leadership to eager followers on the outside. She lives under his protection in a remote farmhouse. But what the followers don’t know is that if she stops being special, he will renew her and replace her with another Esther. She is sure that renewing means certain death, so she must keep up the performance if she wants to survive long enough to escape. Because Esther also knows she is a fake, she has no ancient wisdom and needs help to leave behind her life in captivity.
This was one creepy book. Much creepier than...
Aiden was six when he went missing during a bad rainstorm which flooded the banks of the river that runs through their village. His family and police believed he had been swept away by the river and drowned, having only found his jacket floating in the river and no body. Ten years later his mom is married and in her last month of pregnancy when she gets the incredible news that Aiden is alive.
Rosa seems like a charming and brilliant young girl, she makes it look like there is nothing wrong with her. But her brother knows better. She is so talented at deception and persuasion, he is certain she is a diagnosable psychopath. She hasn’t hurt any people yet, but he is sure it is only a matter of time. Ever since their parents moved them to New York City, Rosa has been playing increasingly complex and disturbing games. Can he protect Rosa from the world, but more importantly, can he protect the world against Rosa?
This book starts out as a fun YA with terrific...
In the trailer for Nocturnal Animals, Amy Adams's character (Susan Morrow) says, "my ex-husband use to call me a nocturnal animal . . . recently he sent me this book that he has written. It's violent and it's sad and he dedicated it to me . . . ." That line holds some creepy possibilities, but what plays out on screen is unexpected, with themes of loss, regret and revenge.
Che is trying to be normal. He has a list, even. Of things he wants to accomplish soon, after moving to New York with his family.
However, Item Number One is: Keep Rosa Safe.
Seems normal right? After all, Rosa's just his five-year-old sister. Completely normal. Except she's also a diagnosable psychopath. Rosa has a long trail of seemingly innocent acts of killing on her small hands, and it's only a matter of time before he kills again, maybe this time a person.
Che has to protect his sister from the world- but he may need to protect the world from his sister.
At first glance, Anne and Marco Conti live a charmed life. They have an adored baby girl, a comfortable home, friends next door, and the support of Anne’s wealthy parents. This illusion is peeled away piece by piece as the story unfolds. While Anne and Marco are at their neighbor’s dinner party, their daughter disappears from her crib. Who is responsible for the kidnapping? Why did they leave their baby alone? Is the couple next door involved?
I picked up Behind Her Eyes simply because Stephen King said it was "bloody brilliant." He said you'll never see the ending coming. I decided if he couldn't figure it out, then it must be good. Even if some of his books are too terrifying to read, I think King is a genius.
Flynn Berry's Under the Harrow is a murder mystery turned inside-out, where "Whodunnit?" is overshadowed by "How do you process tragedy and loss?" It's a dark, haunting ride, with a few twists you may not see coming. (I didn't.)