In the current political climate, one might think the transition from comedy writer to politician would be rather seamless. In Al Franken, Giant of the Senate, Franken describes his struggles trying to get elected by the people of Minnesota in 2008, the balance he has been able to find when working with ideologically opposed members of congress, the work ethic that enabled him to more easily secure re-election in 2014, and the current political climate in Washington.
On Turpentine Lane is purely entertainment. I was hooked from the beginning when Faith decides to buy a cute little house with 1950's decor . . . sans her fiancé or any idea of who had lived there previously. Both are signs that something isn't right. We soon learn about Faith's fiancé, Stuart, and his decision to walk across the country to find himself.
The Reminders is a story about loss, friendship, and recovery. It’s told in the alternating perspectives of Gavin, a man in his late thirties whose partner has recently died; and Joan, a 10 year old girl whose parents are old college friends of Gavin's.
The Story of Film is loaded with movie clips from all over the world, beginning at the first moment pictures moved and ending in the early 2000s. Director Mark Cousins invites us to consider how each of the films he mentions contribute to the language of movie-making. He’s a deep thinker who speaks clearly – a rare combination.
Kate Morton is one of my favorite authors, and she does not disappoint with The Lake House. The story moves through several time periods beginning in the present when Detective Sadie Sparrow (who is on enforced leave from the department due to leaking a hunch to the media) goes to Cornwall to stay with her granddad. There she discovers the remains of a grand estate buried in the woods, and her curiosity is piqued.
In the trailer for Nocturnal Animals, Amy Adams's character (Susan Morrow) says, "my ex-husband use to call me a nocturnal animal . . . recently he sent me this book that he has written. It's violent and it's sad and he dedicated it to me . . . ." That line holds some creepy possibilities, but what plays out on screen is unexpected, with themes of loss, regret and revenge.
Léon: The Professionaltells the story of a child-like hit man named Léon and his relationship with (and subsequent training of) a 12 year-old named Mathilda who is orphaned at the hands of insane, corrupt New York cop Norman Stansfield. It features that unique French mixture of absurdity and realism: In what world does a 12 year-old boldly shoot a handgun out of a window without consequence?
I admit that I watched this movie because of Essie Davis: our very own Miss Fisher. And I found her performance quite memorable in The Girl with a Pearl Earring.
