This movie is crazysauce, that’s all I can say. Crazysauce poured over an amazing sci-fi spectacular with a generous dose of cheese and a side of over-the-top drama, and those with a healthy sense of the ridiculous will eat it up with glee. If you are not a fan of campy fun, it may not be your cuppa.
The title of Love, Loss and What We Ate is what sparked my interest: what could be more relatable? I knew nothing about Padma Lakshmi and didn’t even recognize her name. But it doesn’t matter; anyone can find aspects of her story engaging. She writes with honesty and simplicity about the events of her life.
Lindy West’s Shrill is cataloged in the humor section of the library and three of its five subject headings use the word “humor.” So it’s no surprise that while reading chapter 1 I scared my own dog. He looked at me sideways while West describes the role models who looked like her young self: Lady Kluck, Baloo dressed as a sexy fortune teller, and Miss Piggy to name a few.
Ah, if only I'd read this last summer or fall, sometime before my five-month-old was born, because I'm quite drawn to many of the ideas. Some I'd already claimed as my own, some were vague notions that have now been articulated and solidified for me, and some still feel rather surprising and foreign. I'm not one to unquestioningly adopt any model--parenting, leadership, eating, or what you will--without tweaking it and making it my own, but I believe considering and practicing these ideas will make me a more effective parent.
This concept is absolutely genius and the execution is one of the funniest things I’ve ever read.
A few years ago, Ethan Nicolle was playing with his five-year-old brother Malachai and decided it would be fun to take Malachai’s imagined play and illustrate it as a superhero comic. It all started when Malachai took a toy police officer and added a firefighter’s axe. They grabbed another figure and the nearest weapon-like implement at hand—a recorder, which led to Axe Cop’s first partner, Flute Cop—and went to chop off the heads of dinosaurs and other sundry bad guys.
What I’ve Stolen, What I’ve Earned is the most original, electric, and soul-altering book of poems I’ve read in more than a year. It reads like a nonlinear memoir that skips around Alexie’s life, with common threads charging the poems like drumbeats. The largest theme - growing up on an Indian reservation surrounded by a cast of remarkable characters with haunting stories – shows up in nearly every poem.
Did Van Morrison ever improve on the series of concerts he performed in 1973, the same shows represented in this new set? He may have but It’s Too Late to Stop Now in all its various editions raises the bar exceptionally high. This is new collection, taken from shows first released as a double album in 1974, includes three discs of additional music from the 1973 tour as well as an extraordinary (and short) DVD of concert footage.
Let’s talk expectations. When it comes to the much-loved and influential band Pixies, expectations for the second album since their 2004 reunion are all over the map. Inevitable comparisons to material recorded and released in the late 80s and early 90s add baggage that may be fun to talk about but can also get in the way of listening with clear ears. Such is the case with Head Carrier, an album doomed from the beginning to suffer under the weight of both heightened and lowered expectations, especially since Pixies’s 2013 Indie Cindy proved so mediocre and slick.
It feels traitorous to say, but I did not enjoy Harry Potter and the Cursed Child. Like so much of the world, I am a Potter Head and gobble up anything and everything Harry Potter. I was even a counselor at Harry Potter Camp for two summers! So when I heard that an eighth book was being released in the form of a play script, I once again bubbled with excitement and anticipation at being back in the world of Harry Potter. It did not take many pages to realize this book is NOT J.K.
