fine arts cinema

Trishna gives a new twist to the traditional Bollywood cinema. It is the Tess of the d'Urbervilles transferred to contemporary India.  The viewer is instantly cheering for an unusual relationship between two young people of different social levels, but all along the gut feeling says that in this love story something may go terribly wrong.   The movie presents the changing socio-economic structure of modern India: bustling, congested mega cities contrasted with poor traditional villages. Made by English filmmaker Michael Winterbotton with a full Indian cast, Trishna has beautiful scenery of the

It all started so innocently with a morning shave of a trademark moustache – but, nobody noticed. Nobody.  Neither the wife, nor the boss. All tried to convince him that he never even had a moustache ever before.  All feels like a twilight zone: Is he losing his mind or is it an elaborate group conspiracy against him?  The premise of this movie is rather original and intriguing and one expects this movie to be a comedy, but it turns dark a few fast frames later.  The viewer is kept guessing as the plot is continuously shifting further away from domestic solitude nearing a psychiatric asylum