Tink is heading into sixth grade, her last year in elementary school and she must deal with everything from her body suddenly changing to the ever increasing strain between her and her best friend, Jackie's, friendship. Hundred Percent is an authentic and true look into the mind and life of a girl transitioning from a child to a young adult.
Will knows one way to grieve, dictated by the rules passed down for generations: no crying; no snitching; always get revenge. His uncle and father have already been victim to the cyclic system created by these rules, and last night his brother joined them. Will is desperately heartbroken, so he follows the one path given him by the rules: he grabs his brother's gun and heads for the elevator.
Er, no, that's not quite right. More like bleak, biting, and darkly satirical.
And far too real.
Though science fiction set in a near future, this is all about living at the lowest levels of the global economy, subject to extremes of imperialism, inequality, ethnocentrism, co-option, and poverty. It's an exploration of the dark sides of economic and cultural power. It's just that in this case it's the humans of Earth who have been colonized.
I despised cheerleaders when I was a teenager. They were the ones who bullied my outcast friends and me. They were so—well—cheery. Didn't they notice that the world all around us is falling apart? I’m much older and somewhat wiser now, so I understand that it’s dumb to assume that all members of a group of people are the same. I comprehend that just because the particular cheerleaders I knew in high school were mean doesn't mean that all cheerleaders are mean. I mean, I try to stay open-minded. Still, cheerleaders. Blech. How superficial, boring, and dumb.
Having never experienced life in a rehab center I cannot speak to the authenticity or veracity of the setting Benjamin Alire Sáenz creates in, Last Night I Sang To The Monster. 18 year-old Zach is an alcoholic who comes out of a black out in a treatment center with no memory of how he got there. I can say the novel is populated by memorable characters who are engaged in emotionally resonant relationships in a visceral setting.
Hurricane Harvey in the news raises the relevance of this novel to a category five. The fact that we're bringing Julie Murphy--one of the best contemporary realistic fiction authors in the country--to town for a Meet the Author visit means you must put this book on your radar. I listened to the audio version. It's fantastic. The narrator is a perfect fit for Ramona's voice.
Aristotle is angry. And wondering. And confused. Dante is laid back. And smart. And confused. These two boys, opposites, with nothing in common, begin to spend more time together, becoming fast friends. The friendship that they discover is the kind that has the power to morph and change lives - and lasts a lifetime. And Aristotle becomes sad - then happy. And realizes things. And Dante gets angry - then hurt. And realizes things. This is a remarkable coming-of-age novel about two Mexican-American boys as they battle through the uncertain, calamitous front of life.
Che is trying to be normal. He has a list, even. Of things he wants to accomplish soon, after moving to New York with his family.
However, Item Number One is: Keep Rosa Safe.
Seems normal right? After all, Rosa's just his five-year-old sister. Completely normal. Except she's also a diagnosable psychopath. Rosa has a long trail of seemingly innocent acts of killing on her small hands, and it's only a matter of time before he kills again, maybe this time a person.
Che has to protect his sister from the world- but he may need to protect the world from his sister.
People deal with grief, fear, anger, and other difficult emotions in many ways. One of those ways is humor. That's Mara. Her telling of her story is hilarious. With a cynical, skeptical, acerbic, over-the-top wit of the best social-commentary-humorists, she shares how she spent her senior year of high school dealing with the very real possibility that she might just spontaneously combust.
