This consists of four stories--"quarters," Sedgwick calls them--from four different eras. Each is a compelling, haunting meditation on human nature. Each has horror undertones, confronts suffering and misery. Each is distinct in style, tone, setting, and action. Each involves philosophical musings about the meaning of spirals in the way of Jungian archetypes (universal, archaic patterns and images that derive from the collective unconscious and are the psychic counterpart of instinct; Wikipedia).

Now, as I read it all over again, I wonder . . .

They call that literary analysis, Stella, and I'm not particularly good at it. My job is to write. Your job is to figure out the deep stuff.

And there is deep stuff going on here, isn't there? For the love of Luna, I hope so.

Jack Hurd lives with his parents on a small farm in Maine. One day in the winter of his 6th grade year, Joseph Brooks comes to live with them as a foster child. Joseph has been in trouble and spent time in a boy's group home, a juvenile detention center, and most recently a high security juvenile prison after allegedly trying to kill a teacher. He is only 14, but is the father of a newborn baby girl. He has never seen his daughter, but loves her and her mother dearly.

A few facts about Glory O’Brien: