Filmmakers Petra Epperlein and Michael Tucker travel to Chemnitz, Germany because a mystery surrounds Petra’s father’s death. Just before ending his life, he sends his daughter a sweet note with no indication of his plans other than his disappointment with East Germany and the surveillance practices of the Stasi. What Epperlein and Tucker uncover is that place in the mind we all go, or would go, when very few around us are trustworthy and nowhere is safe from the gaze of surveillance, neither your home nor anywhere you visit.
Two men are taken to The Zone – a quarantined area rumored to have an abandoned building with a room inside it in which wishes are granted. But the road there isn’t clear, and even if it were, the path there can never be repeated. If the room is found, it grants only the wish behind the conscious wish, making the journey toward the room an increasingly frightening endeavor as the men inevitably wander hither and yon looking for the correct path and the correct wish.
If you're looking for some mindless action and excellent snark, this is the movie for you.
I can find fault with the pacing and the paper-thin plot, but the reason for the movie is obvious: Ryan Reynolds and Samuel L. Jackson trading quips and being generally hilarious. When they do that, it's definitely worth the time.
REPLICANTS ARE BIOENGINEERED HUMANS. DESIGNED BY TYRELL CORPORATION FOR USE OFF-WORLD. THEIR ENHANCED STRENGTH MADE THEM IDEAL SLAVE LABOR
THEY ARE HUNTED DOWN AND 'RETIRED'
THOSE THAT HUNT THEM STILL GO BY THE NAME
On a disturbance scale, Mother! falls somewhere between other Darren Aronofsky films, Requiem for a Dream and Black Swan, with a story more comparable to Noah combined with an all-out assault on social etiquette and political correctness that creates the strangest kind of satire.
The term "visual poem" gets thrown around a lot when describing Terrence Malick's most recent work, starting with 2011's Tree of Life. Even before then his films relied heavily on visuals to help tell the story, but his work increasingly favors beautiful imagery and strives towards creating feelings and moods more so than a continuous narrative thread. Thus, dialogue is intermittent and often jumps around. I can certainly see why this might not appeal to people.
On the Wind River Indian Reservation in Wyoming, Cory Lambert (Jeremy Renner) is a tracker and hunter of threatening wildlife on the reservation, protecting the people from dangerous animals. Cory finds the corpse of a teenage girl when patrolling the reservation. Young FBI agent Jane Banner (Elizabeth Olsen) is sent in to investigate. New, inexperienced, and idealistic, Jane is quickly in over her head trying to solve the murder while adjusting to the culture shift on an Indian reservation. Cory knows the land and the people of Wind River, and Jane enlists his help.
Say what you want about Ben Affleck, but the man knows how to choose interesting roles in successful films.
The Story of Film is loaded with movie clips from all over the world, beginning at the first moment pictures moved and ending in the early 2000s. Director Mark Cousins invites us to consider how each of the films he mentions contribute to the language of movie-making. He’s a deep thinker who speaks clearly – a rare combination.