Our Golazo! theme focused on the upcoming World Cup in Kansas City.
On July 19, 2025 I was witness to a beautiful ritual affirmation of the power of art to offer and maintain healing. I saw a groundbreaking celebration of a sculpture in Olathe Kansas inspired by and dedicated to the Potawatomi people as Keepers of the Fire, “Fire Keepers Circle.” According to the artist Aaron Squadroni, “it was designed as an active sculpture that provides a space to gather and is wrapped by a multi-layered blanket.” As a stop on the historic Trail of Death, the artist envisioned the sculpture as “a place of warmth and renewal where current members can gather and reflect or visitors to the park can learn about Potawatomi culture and history.”
The artist said that his design was inspired by the fire pit in the sweat lodge, considered the center of the Universe, used to purify and renew the spirit. “An individual is a circle of consciousness in the midst of many more circles that are not separate but mutually dependent on each other.”
gliding above us in the sky, another Eye. I was told that a turkey vulture is one of the few birds who doesn’t need to flap its wings to fly and could soar for six hours or more. It stayed with us throughout the event.
Although vultures are associated with death by some, my understanding of them is the way the Potawatomi would have seen them: as necessary mediators between the dead and the living, Nature having given them their important task of recycling what is spent to live again in different form.
Many of us felt there were many more than only 200 souls in attendance, feeling the light airiness of the presence of the Potawatomi ancestors. We also felt that those whose presence we sensed had arranged for it to be cloudy and pleasant for us to be outside at noon in Kansas in July, instead of in the blazing heat the Weather Service had predicted.
all peoples would “Be kind.”
The composer who played a song she had created for that day said that her intention was “that those who walked will be honored.”
A representative from the Johnson County Arts Commission, an organization only a few years old, thanked the Potawatomie people for “your willingness to share your experience.” She explained that each of the 32 feathers etched into the sculpture had been designed by Potawatomie families and “each has a story to tell.”
inclusion, which were currently “threatened” in many places.
That final statement of his impelled me to speak to him after the program, still in the emotional afterglow of the event. I thanked him for his comments and shared a time long ago when I had been a witness to a breach of inclusiveness in another city and state. I commended him for his work. He said that those who champion diversity, like him, “like us,” can serve as “a firewall” on the local level.
